Brands like DKNY and Donna Karan have pledged to ban fur from their collections. They believe killing animals to make fashion doesn’t feel right. However, designers like Fendi and Burberry still use fur on the catwalk.
Going fur free has become a major move among brands and retailers seeking to advance their sustainability agendas. While animal welfare continues to become increasingly relevant among major apparel players, and consumers continue to demand more ethical shopping options, industry members are opting to omit angora, exotic skins and fur from their products.
Gucci has omitted fur from its entire product value chain. Gucci will no longer use coyote, dog, fox or any other animals that are bred or caught for fur. VF’s brands, including The North Face and Timberland, will no longer use angora, exotic leather or fur in their apparel and footwear products.
Alexa Chung, the UK model and designer known for her cozy sweaters, silky viscose dresses and vegan faux-fur outerwear, will not include angora or exotic skins in the collection’s apparel, accessories and footwear items. Michael Kors, which acquired Jimmy Choo this year, will curb the use of animal fur in its products. Any existing fur products manufactured will be phased out by the end of next December.
A group of four former Gilt executives have launched CoEdition, an online market, the first multi-brand outlet for plus-size consumers of apparel in size 10 and more. The company recently secured $4 million in seed funding. The company announced it delivers "a curated selection of stylish options at accessible price points frequently under-served in the traditional retail landscape." During its launch phase, it offered 1,000 products from 20 brands with an average price of $150.
Apparel, swim and intimates as well as accessories and shoes will be sold on the online site which is looking at expanding to product from 150 brands by the end of the year. Brands committed to the platform include Cosabella, Cynthia Rowley, Rachel Roy and Elie Tahari.
CoEdition was the brainchild of former Gilt employees: Brooke Cundiff, who is CoEdition's chief merchandising officer, was the former head of brand acquisition at the luxury flash sale site, while co-founder, Keith George, who is also CoEdition's CEO, was earlier Gilt's chief merchandising officer.
The two other CoEdition founders are Gilt Group founder Kevin Ryan and Gilt's former head of technology, Kent Helbig.
The aim was "to break down the barrier in retail and transform the industry." Keith George foresaw market opportunities for plus size and noted that many of the brands the company is working with are from the UK and Australia. The goal of the site is to be aspirational but accessible, he added.
Chinese consumers now make up around a third of all luxury purchases globally, correspondingly high end brands are forced to fine tune their China-specific marketing strategies. As per Chris Maier, MD of Analytics, Research & Insight at Publicis Media for Greater China, the vast social influence of the Middle Kingdom has shifted the ‘Made in China’ moniker to ‘Made for China’. More and more global brands, especially in the luxury sector, are creating China-specific products with local bents to cater to the key consumers.
A Publicis Media study of 1,000 luxury consumers across North Asia, including China, went deep into the way luxury resonates in the lives of consumers, including attitude, behaviour and time spent. One insight was that China continues to push ahead as the most digitally native and highly digital-social culture, particularly in the information gathering process before a purchase.
Maier says, across the consumer’s journey – from awareness to research and consideration to purchase – e-commerce reviews landed as the top touch point influence, barring reviews and recommendations on TV and OTV. Recommendations rated high, but the go-to point is online retail. To dig into the Chinese market, numerous luxury brands are now creating product lines targeted at the Chinese market. Maier points out to luxury fashion retailers LVMH and Loewe as first movers. Maier says China consumers are, justifiably, voicing specific wants for unique, locally relevant products to go with their new-found authority on the world stage. If brands are to successfully manoeuvre in this new consumer age, uniquely fitting the what, where and how together is the trifecta for success.
Italy-based C.L.A.S.S, specializes in integrating a new generation of eco values into fashion and lifestyle brands. The circular economy has always been at the core of C.L.A.S.S’ existence. It works with its partner mills such as Ecotec by Marchi & Fildi, Bemberg, Roica by Asahi Kasei and Tintex Textiles, which use technological breakthroughs to offer fashion materials that provide significant reductions in water during the manufacturing process.
In touting significant reductions in water, energy usage and CO2 emissions, C.L.A.S.S message has always been one of consistency but with today’s customers becoming increasingly environmentally mindful, the timing has never been better to bring awareness to the ways that responsible sustainability can be incorporated into a fashion or lifestyle brand.
In the last 10 years sustainable practices have merged into the overall circularity movement and have moved from vocabulary to real practice. Circularity in fashion can positively impact the bottom line when executed strategically. Cost savings globally could reach as much as 700 billion dollars for companies that embrace circular business models. In 10 years C.L.A.S.S has gone from words to innovation to materials that are truly sustainable and now fit into the circular economy.
The five companies have said they use US-grown cotton and manufacture in America.
Red Land Cotton owner by the Yeager family has been farming in Alabama for three generations. Now they are taking their best upland cotton and turning it into luxury linens. Their bed sheets and other home linens are crafted after heirloom lines and are manufactured with the farm’s finest cotton in the southern US.
The century + year-old Round House still supplies jeans, overalls and other work wear across the US. Named after the "round house" railroad repair station, the brand of jeans and overalls over time became a favourite among rail workers due to its ruggedness and affordability. The brand has been marketed in various stores, including J.C. Penney.
Raw Materials Design offers a variety of 100 per cent cotton items, including aprons, table linens and organising totes. They may are not be made in Texas anymore but are still made in the US. Texas Jeans have been manufactured in the US since 1979. Now located in North Carolina, all its components from the fabric, thread, buttons and zippers are made from vendors in the US.
Lawson Nickol was a sales manager for a U.S. jeans manufacturer. But he discovered his company’s jeans were made in Mexico. His nationalistic fervour gave birth to the All American Clothing Co. that produces high-quality clothing in the US at an affordable price.
"Tirupur textile industry has been reeling under tremendous pressure, as a result many suicide have been reported. The land which used to be a breeding ground for self-made entrepreneurs has its own share of challenges. Since past decade, the industry has been a victim of global economic recession, steep rise in yarn prices, closure of dyeing units and labour issues. S Govindappan, VP-South India Hosiery Manufacturers Association, highlighted aggressive international competition, business slowdown in the wake of demonetisation and GST have made survival a big question."
Tirupur textile industry has been reeling under tremendous pressure, as a result many suicide have been reported. The land which used to be a breeding ground for self-made entrepreneurs has its own share of challenges. Since past decade, the industry has been a victim of global economic recession, steep rise in yarn prices, closure of dyeing units and labour issues. S Govindappan, VP-South India Hosiery Manufacturers Association, highlighted aggressive international competition, business slowdown in the wake of demonetisation and GST have made survival a big question. To top it, competition from countries like Bangladesh and Vietnam has snatched global orders from Tirupur. Banks and private lenders have tightened their purse strings when it comes to helping small businessmen in crisis.
T R Vijaya Kumar, general secretary, Tirupur Exporters’ Association, added that it started with rupee appreciation or US dollar/Euro depreciation , ahead of GST implementation. It was a time when the knitwear industry was already losing its international competitiveness. The Centre promised that GST would bring down prices of raw materials but it did not happen.
While bigger companies can at least sustain the crises, small players are the ones who are the worst hit. They were not prepared to take the blow of drastic reduction in incentives given to exporters and stringent GST norms. M P Muthurathinam, President, Tirupur Exporters and Manufacturers’ Association, says small units, especially those who availed huge loans for expansion are finding it hard. According to sources, the Centre has not cleared more than Rs1,900 crore dues including GST returns, duty drawback and RoSL. But the same government has failed to restrain to its tax collecting agencies or banks to be lenient with entrepreneurs on repayments, averred Vijayakumar.
R Annadurai, Managing Trustee, Tirupur Thozhil Pathukappu Kuzhu (foundation for protection of Tirupur industries) said the organisation has formed a new wing consisting of a psychiatrist, a retired general manager of a nationalised bank, and an advocate to counsel entrepreneurs and workers who show suicidal tendencies and help them solve their financial woes.
While companies send a consignment, they have to pay 100 per cent GST to the government. But the buyer may take up to five months to settle the entire amount. Till then the company must be able to bear the burden of unpaid dues. K S Babuji, Secretary, South Collar Shirts and Inner Wear Small Scale Manufacturers Association, elaborates this was the practice for several years. But now tax collection has become stringent. Though government says GST for textiles is only 5 per cent, there are hidden taxes and they pay up to 13 per cent tax, which becomes a unbearable for small and new players.
Ultimately, it’s time the government relaxed tax norms and offer incentives to help entrepreneurs tide over the crisis. And as Raja M Shanmugam, President of Tirupur Exporters’ Association (TEA), says the Centre is making macro-economic corrections like demonetisation and GST. But it has failed to realise the importance of micro hand-holding supports like providing right rate for duty drawback and other incentives.
Technotex will be held in Mumbai on June 28 and 29, 2018. Technotex is India’s premier show on technical textiles. The event will serve as a platform for interaction between Indian and foreign companies from the technical textile value chain. It exemplifies the immense potential for trade and investment between India and foreign countries in the technical textile sector.
Technotex 2018 will pool in more than 200 participants from various parts of the world. It will also attract participation from stakeholders in the technical textile sector as well as major institutional buyers from the army, navy, paramilitary forces, railways, border roads organizations, hospitals, construction companies etc. The event is expected to register a significant growth both in terms of space, exhibitor participation and potential buyer/visitor attendance.
The aim of the event is to make India a manufacturing hub in the area of technical textiles, project the latest technological developments in technical textiles, and showcase latest products, machinery, equipments and developments in the industry for generating business and test marketing. It will also explore joint venture partnerships, project collaborations, transfer of technology, investments and R&D.
The Indian technical textile industry witnessed a significant growth of 16 per cent from 2001-10.
India will spend Rs 1,000 crores to promote research and development, technology transfer and training in the textile sector. R&D is one of the four components of the scheme. R&D projects pertaining to disease-resistant silkworm, host plant improvements, productivity enhancing tools and implements for reeling and waving etc will be done in cooperation with ministries such as Science and Technology, Agriculture and Human Resource Development.
Under R&D, a lot of focus would also be on training, transfer of technology and IT initiatives. For technology transfer, 50,000 people will be trained. Other components of the scheme include setting up seed organizations and farmers’ extension centers, coordination and market development for seed, yarn and silk products and having a quality certification system in place. A quality certification system would require creating a chain of silk testing facilities, farm based and post-cocoon technology upgradation, and export brand promotion.
The scheme aims to achieve self-sufficiency in silk production by 2022 and reduce imports to zero. To achieve this, production of high grade silk in India is expected to reach 20,650 tons by 2022. The country’s textile industry currently generates about 150 billion dollars in annual revenues — 110 billion from the domestic market and 40 billion through exports.
Fast fashion garments arrive in stores weekly or even daily and are sold at extremely low prices that consumers can replenish their wardrobes with new outfits several times a year and then throw them out as soon as they go out of fashion. Fast fashion now appears to be synonymous with disposable fashion and has consequently become the norm in Europe. Zara and Primark were early adopters of this strategy which has spread across the fashion industry. The message sent out is that since the items are cheap, it's OK to use them for only one wear.
On the flip side the real cost of a €5 T-shirt lies in the low wages and dangerous working conditions. Globalisation has permitted large scale operations to be shifted to developing countries where brands take advantage of lax regulations and cheap labour which are a fraction of that in Europe, quicker and more flexible deliveries at the lower cost. Following such pressures, smaller factory owners pass on the costs to the workers they employ. Globalisation has opened up the number of countries and factories brands can buy from. This has created a growing number of developing world factories competing for a place in their supply chain sun.
Brands like Zara, H&M, New Look and ASOS among others compete against each other for market share by launching more lines per year at lower costs, reulting in a situation where fashion retailers now offer up to 50 collections a year. These pressures further results in workers having to work for up to 18 hours a day. An Oxfam report says a seven day working week is often the norm during peak times.
NGOs report Bangladeshi sewing machine operators working for 90-100 hours a week yet not having enough to live on for the month. Often workers will accept lower wages and poorer working conditions rather than lose their job. The fast fashion retailers are known for their aggressive pricing strategies, selling 30 to 50 per cent below mid-market rates. To make real change, consumers must get involved in the campaign for more ethically produced clothing.
Ethiopia, an emerging apparel sourcing destinations in the world, has posted a 23.1 per cent surge in its global textile and clothing exports during the first eight months of FY 2017-18 that began on 8th July 2017. The flow in exports is in line with the vision of Ethiopian government which, a few months back, set ‘$30 billion by 2025’ as export target for the textile industry.
Evidently, $55.9 million revenue was secured by foreign-owned firms while the remaining was generated by local apparel manufacturing companies. Bantihun Gessesse, Communications Affairs Director in Ethiopian Textile Industry Development Institute says the hub fell short of the targeted growth by 50 per cent.
In order to meet the projected growth in the coming months, the Ethiopian Government is diversifying exports from agricultural products to textile and clothing manufacturing in the country and, for this, approximately 10 industrial parks have been planned.
The textile and clothing industry in Ethiopia has noted an average growth of 51 per cent over the last five years and more than 65 international textile investment projects have been authorised and licensed to attract FDI during the period. The country is steadily becoming a favourite amongst various leading textile and apparel manufacturers to set up their base there, thanks to policies and incentives that the country has to offer.
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