FW
London Fashion Week Men’s revealed bold menswear styles for Fall ’19. The event showcased racing motifs, athletic apparel logos, hooded sweatshirts, mock or turtle neck tops and sling bags. Destroyed knits, statement scarves and silver chains with charms (worn over high neck tops) added newness to the show which displayed 90’s inspired looks.
The men’s and women’s accessories were electrified with neon green and pink. The colors—found on everything from sneakers, fanny packs and socks, to nail color, hair color and eye glass lenses—were the exclamation point to all-black ensembles and après ski-inspired sets.
Puffer coats were emboldened with high-shine silver fabrics, colorful patchwork and lacquer-like color. Likewise, jeans were coated with splashes of multi-colored paint. Color denim made a statement worn head-to-toe.
Jeans, track pants and non-denim woven bottoms were worn loose and baggy. Straight cuts were hemmed or cuffed at ankle-grazing lengths. Chunky sneakers, in white or bold licks of color, remain the shoe of choice. Others wore a low heel, pointed-toe cowboy boot silhouette—a shoe that took on opposite personalities in slouchy brown suede and black patent.
The 5th session of Spinexpo, a trade fair dedicated to promoting innovation in the yarn, fibre and knitwear industry, will present a preview of its collections and color ranges for the Spring/Summer 2020 season from January 16 to 17, 2019.
Spinexpo Paris is the European branch of Spinexpo Shanghai, which has been active in China for more than 20 years, gathering together flagship spinning mills and manufacturers of knitwear globally. The exhibition is aimed at brands with a knitwear division, manufacturers of flat and circular knitwear, weavers, sporting goods manufacturers, hand knitting wool distributors and all users of yarns and knitwear.
For the Spring/Summer 2020 season, HUBO has organised its collection into five separate parts. © Spinexpo. New printing techniques are emerging, some of which are based on bacteria, and Spinexpo is closely monitoring all these initiatives. This theme promotes natural fibres, with vegetable dyes or used without dyes, discoveries from the field of medicine, and techniques from traditional crafts.
Buyers have started paying attention and are calling for organic cotton, recycled cotton, silk and linen. In taking this demand into account, HUBO had developed a series of new yarns combining Ecovero viscose, Refibra fibre, Tencel and recycled polyester. HUBO is certified Oeko-Tex Standard 100, the Higg Index, Global Recycle Standard (GRS) and Organic Content Standard (OCS). The spinning mill is also a member of the Better Cotton Initiative (BCI).
H&M is the world’s second-largest apparel retailer has improved its purchasing practices by excluding labor costs from price negotiations in support of fair wages. In July, H&M implemented a new wage management system, aimed at better work environments and fair wages at 500 supplier factories representing 50 per cent of its product volume.
H&M plans to create a new mind-set both at its supplier factories and within its own operations. In 2013, the company determined that its strategic suppliers should have pay structures in place to pay a fair living wage by 2018. This was expected to reach around 8,50,000 textile workers in 750 factories, or about 60 per cent of its global garment workforce.
But labor groups say H&M has watered down its initial commitment by trading one measurable target (the 8,50,000 workers) for something less determinate (improving wage-management systems.)
A wave of actions against poverty wages has hit H&M’s largest markets and production locations. There have been street actions and online campaigning in Austria, Belgium, Cambodia, Croatia, India among others.
Member nations of the Regional Comprehensive Economic Partnership are eager to get it up and running. RCEP encompasses China, Japan, South Korea, India, Australia, New Zealand and the ten members of the Association of Southeast Asian Nations. Negotiations for the trade deal began in 2013. If realized, RCEP would cover half the world's population and about 30 per cent of global trade.
Negotiations have not gone smoothly, however. A wide gap remains between nations seeking substantial free trade, including Australia and Japan, and those cautious about opening markets rapidly, such as China and India. Progress has been made in some areas. For example, Japan and China are close to an agreement on tariffs. About 90 per cent of products are expected to be tariff free.
But India is hesitant to eliminate tariffs which may lead to an influx of Chinese goods, causing its trade deficit to balloon. Domestic industry and even certain ministries, including steel, have been critical of the RCEP deal and fear dumping, especially by China.
China is the biggest contributor to India’s trade deficit with all RCEP partners. The scrapping of tariff lines means import duties on specified items would be cut to zero over a mutually agreed-upon time frame.
Gartex will be held in New Delhi from August 10 to 12, 2019. This is a trade show dedicated to garmenting and textile manufacturing solutions and technologies. This exhibition brings together the entire denim community and focuses on innovations in the industry. The show acts as a one-stop-destination for suppliers, manufacturers, distributors, retailers, designers and other stakeholders in the denim and allied industries.
Broad exhibit categories include embroidery machines, cutting and sewing machines, fabrics and accessories, needles and threads, laundry and washing equipment, finishing equipment, laser cutting machines, digital textile printing machines, automation and software. Along with fabrics and textiles, the show would prove beneficial for the value chain of denim.
The show caters to the ultimate requirements of exhibitors and helps amalgamate the denim fraternity together under one roof. It provides the denim fraternity with a much needed platform to push the consumption of denim to its full capacity in light of the fact that it has penetrated deep into towns and villages owing to its comfort and durability.
India has graduated to become the world’s second largest producer of denim fabric with a manufacturing capacity touching 1,600 million meters annually. In the 2018 edition, the exhibition saw participation from market leaders such as Arvind, Raymond, Creora, Ginni, Jindal, Rossari, Mafatlal etc.
The 16th Textile and Garment Machinery Exhibition, to be held from January 9 to 12, 2019, in Bangladesh will be jointly organised by BTMA and Yorkers Trade and Marketing Service Company. It will introduce local entrepreneurs with innovative machinery and transformative technologies.
Around 1,200 machinery manufacturing organisations from 37 countries will participate in the exhibition. These countries include Australia, Austria, Belgium, China, Czech Republic, Brazil, Croatia, Denmark, Finland among others. Spot sales of machinery were registered at $280 million last year and BTMA expects more spot orders this year. Bangladesh, being the second largest exporter of the readymade garments in the world, earned $30.61 billion from export of textiles in the 2017-18 financial year, which is 83.47 per cent of the country’s total export income.
JETRO (Japan External Trade Organisation) will hold the second edition of Japan Textile Salon on January 16, 2019 at The Altman Building in New York. This season, the event will feature discussion panels with: Angela Kramer, Sr. Manager Fabric Research & Development for 3.1 Phillip Lim and Scott Morrison of NYC-based luxury denim collection 3×1. They will discuss the importance and use of Japanese textiles within both collections. The seminars will be during the event and open to attendees.
The Japan Textile Salon will host 21 exhibitors, who will highlight and demonstrate new techniques and the use of fabrications and materials such as high-quality silk, Swiss cotton and indigo pile jacquard. Other highlights will be special dyeing techniques (such as bespoke dyeing, rope indigo dyeing, yarn dyeing, etc) unique weaving techniques, selvedge denim woven on old-fashioned power looms and a high-grade silk threading process. As well as premium fabrics made by spun silk using advanced technology.
Through this event, the Japan Textile Salon in NYC provides an opportunity for fashion, design and textile editors along with designs to meet textile companies from Japan, selected from among the world’s top weavers, printing producers, designs studios and manufacturers with R&D capability.
Water shortage in Gujarat, Maharashtra and Telangana is likely to bring down India’s cotton crop to the lowest in eight years. Cotton crop estimate for Gujarat, Maharashtra and Telangana has been reduced by 1.50 lakh bales, two lakh bales and two lakh bales respectively.
Due to water shortages following deficient rainfall in growing regions, farmers in about 80 per cent of the cotton crop area have uprooted plants. As a result, there has been no scope for a third and fourth pickings.
For a normal cotton crop, the picking continues for four rounds. However, after the first two pickings in water-scarce regions, the cotton plants have started drying up, leaving no possibility of further flowering and boll development. Total cotton supply till the end of the season in September 2019 will be around 385 lakh bales, consisting of the opening stock of 23 lakh bales at the beginning of the season, the crop of 335 lakh bales and imports at around 27 lakh bales.
Domestic consumption of the fiber is estimated at 320 lakh bales and estimated exports for the season 2018-19 at 51 lakh bales, about 18 lakh bales lower than the export of 69 lakh bales estimated during the last year.
In November 2018 Indian textiles and apparel exports grew 14 per cent compared to November 2017. Over the same period apparel exports jumped 21 per cent. In October 2018, textile production rose 6.2 per cent as compared to October 2017. Apparel production rose 28 per cent.
The stressed advance ratio of the textile sub-sector has been improving continuously. From 23.70 per cent in September 2017, the stressed advance ratio of the textile sector has come down to 18.70 per cent in September 2018. For the period between April and November, textile and apparel exports grew seven per cent.
The old duty drawback rate which was very attractive came to an end in September 2017. Because of this attractive scheme, Indian exporters advanced their delivery schedules to avail of the duty drawback scheme. Consequently, textile and apparel exports skyrocketed in September 2017. Exports one year later in September 2018, declined sharply. From that level, however, exports are normalizing which is believed to continue in future as well to end the current financial year flat.
India’s share in world trade in textile and clothing is estimated to be 4.95 per cent. With these exports, India is ranked second among suppliers in the world.
Vetements has created a phone case with tech accessory brand Casetify, which has also collaborated with luxury brands including Moncler and Saint Laurent for relatively affordable accessories with a luxury brand name attached. The case is being sold through Casetify and retail partners like Ssense.
This is part of a growing trend in the luxury business of leaning into the accessibility of accessories. While luxury brands rely on the exclusivity of their more expensive apparel offerings that exclusivity is always in conflict with the need to maximise revenue by getting as much product into people’s hands as possible. Accessories offer a good way to do that. Customers who are not affluent enough to be regular Gucci customers and drop more than $1,000 on a jacket can instead save up and get a Gucci belt or a pair of socks. At the same time, the brands are able to sell more product and create relationships with customers who may make further purchases in the future without having to lower any of the prices for their more expensive items — something that luxury brands are loath to do normally.The phone case costs around $250.
Accessories are also often produced by expert third parties, which can manufacture them more affordably. These products are then sold at the same markup as in-house produced items, justified by the brand’s name on it, making accessories incredibly profitable for brands.
