"Rapid growth in screen-printing fuels the digital printing market, which leads the market players to develop new and improved ink types such as Elva Jet Punch EP to cope up with the increase in demand for digital textile printing applications."

A new report published by Allied Market Research titled, Mexico Digital Textile Printing Ink Market by Ink Type and Application: Opportunity Analysis and Industry Forecast, 2015-2023," the Mexico digital textile printing ink market was valued at $16 million in 2016, and is projected to reach $51 million by 2023, growing at a CAGR of 19.6% from 2017 to 2023. Based on type, the sublimation segment occupied approximately half share in 2016 in terms of revenue.

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Digital textile printing inks are used on small garments such as promotional wear, t-shirts, and jackets. These inks are used on large format rolls of textile. The Mexico digital printing inks market has witnessed significant growth owing to increase in demand for advertisements and corporate branding such as flags, retail graphics, and banners.

The growth in urbanization and increase in demand for corporate branding and advertisement has increased the growth of the market for digital textile inks in Mexico. The sublimation ink segment has witnessed major demand owing to increase in demand for dye-sublimation printer in computer printing applications. Furthermore, the demand for pigment-based inks is anticipated to witness growth owing to its excellent archival print life and color stability. Based on application, the display segment witnessed significant growth in 2016 owing to increase in demand for screen and pad applications. Clothing/garments and household segments are expected to create lucrative growth opportunities for Mexico digital printing inks market owing to increase in textile and household decorative applications. Rise in concerns related to health hazards associated with the toxicity of inks is projected to affect the overall market growth in the developed and the developing countries, but investments in R&D activities to produce novel textile printing inks are expected to provide opportunities for growth in the future.

Key Findings of the Mexico Digital Textile Printing Inks Market :

• The sublimation segment is expected to continue to dominate the Mexico digital textile printing inks market during the forecast period.

• The pigment segment is projected to witness the highest growth during the forecast period.

• In 2016, the display segment occupied more than 60% share of the market, in terms of revenue.

• East India is projected to register the highest growth rate in terms of value during the forecast period.

• Pigment base is anticipated to be the most lucrative material for India PVC pipes market during the forecast period.

Key players have economically invested majorly in R&D activities to develop advanced products to cater the requirements of the market. These players operating in the industry include AnaJet, BASF SE, DuPont, Huntsman Corporation, KIIAN Group, Hongsam, SPG Prints, LANYU Digital, Sawgrass, and Kornit Digital.

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Major players in the industry invest significantly on R&D to launch of new products at a reasonable cost, expand their capacities, and to meet the growing consumer demands. Strategic acquisitions and collaborations are other major strategies adopted by these players.

About us

Allied Market Research, a market research and advisory company of Allied Analytics LLP, provides business insights and market research reports to large as well as small & medium enterprises. The company assists its clients to strategize business policies and achieve sustainable growth in their respective market domain.

Allied Market Research provides one stop solution from the beginning of data collection to investment advice. The analysts at Allied Market Research dig out factors that help clients to understand the significance and impact of market dynamics. The company amplies client’s insight on the factors, such as strategies, future estimations, growth or fall forecasting, opportunity analysis, and consumer surveys among others. As follows, the company offers consistent business intelligent support to aid the clients to turn into prominent business firm.

Digital textile printing is an advanced form of textile printing technology used for the printing of colors on fabric materials. Textile printing was a popular technique in the European culture in the 12th century. It was a popular alternative to hand-woven embroidery which used to print large and ambiguous designs, such as lectern cloths and wall hangings. However, due to the poor quality of ink supplied at the time, the textile printing technology suffered a major setback. In order to cope with the drawbacks of conventional textile printing technology, digital textile printing was introduced in the market place. Increasing preference towards the use of high quality printing technology is driving the demand for digital textile printing equipment across the globe. Rapid expansion of population across the globe, coupled with a rapid rise in income levels in many developing economies, presents ample opportunities for the augmentation of the digital textile printing equipment market in the coming years. Furthermore, the growth of the textile industry globally is anticipated to supplement the growth of the digital textile printing equipment market in the near future. Digital textile printing technology offers numerous added benefits, such as low operational cost, high efficiency and less time consumption for the coloration process. These features make it a viable alternative for obtaining high quality textile printing work.

However, the initial cost of setup associated with digital textile printing equipment is on the higher side. This may have a negative impact on investor confidence for investing in such advanced technology. Moreover, though it produces high quality print work, but mass production is not possible in the direct to garment printing method. It is believed that digital inks fade faster in comparison to offset inks, which may further derail the growth of the digital textile printing equipment market. But having said that, the advantages associated with digital textile printing technology surpass the disadvantages by a large margin. This sets up the table for significant growth in the demand of digital textile printing equipment in the near future.

Digital Textile Printing Equipment Market: Insights in Brief : The overall textile printing technology market has positive growth prospects, owing to the overall growth of the textile industry in economies of Europe, such as Italy and Spain. Moreover, increasing research and development investment in advancement of digital textile printing technology creates avenues for the growth of the digital textile printing equipment market in the near future. Increasing popularity of polyester as an alternative to cotton as a textile fabric further creates opportunities for digital textile printing equipment providers to augment their business in the near future. Attributing to such significant demand for digital textile printing technology, there is scope for manufacturers to augment their business in the near future.

Digital Textile Printing Equipment: Product Definition and Segmentation : Digital textile printing is a method based on inkjet technology, which is predominantly used for printing colorants onto fabrics. Digital textile printing is usually used to print smaller designs on garments or to print on large rolls of textile fiber. The digital textile printing equipment market can be segmented on the basis of the following criteria:

On the basis of product type, global digital textile printing equipment market can be segmented as: Direct to Fabric (DTF), Direct to Garment (DTG) On the basis of consumable ink, global digital textile printing equipment market can be segmented as: Sublimation, Pigment, Reactive, Acid, Others On the basis of sales channel, global digital textile printing equipment market can be segmented as: Offline Sales, Online Shops/Sales On the basis of application, global digital textile printing equipment market can be segmented as: Soft Signage, Clothing and Sport Wear, Other textile

Digital Textile Printing Equipment: Market Dynamics : Surge in Advertising through Printing on Garments and Apparels : Advertising agencies devise new methods for advertising from time to time. One of these methods is printing on garments and apparels. The direct to garment printing technology is gaining traction in many parts of the world for numerous applications. Moreover, the demand for digital textile printing is also witnessing incremental growth for use in household decor applications. This is anticipated to promote the growth of the digital textile printing market in the coming years. Moreover, digital textile printing offers an added advantage of flexibility of adapting to fashion designs and shortening of lifespan for the coloring operation. This is expected to further boost the demand for the digital textile printing method in the coming years.

Shift towards Sustainable Printing : The concept of sustainability is gaining traction and hence, is being applied and implemented to each and every domain, including textile printing. The demand for sustainable printing technology has grown significantly over the past few years. With the introduction of digital textile printing, cloth waste has reduced significantly. Moreover, the waste generated from the digital textile printing is also relatively less. Mostly importantly, textile digital printing offers energy savings and ink savings. With the emergence of E-commerce as a popular sales channel, the growth of the digital textile printing market is pegged to be on the higher side.

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Digital Textile Printing Equipment Market: Key Players : Examples of some of the key players operating in the global digital textile printing market are Hollanders Printing Systems, DCC Print Vision Llp, Kornit Digital Ltd, Roland DGA Corporation, Mimaki India Private Limited, Monotech Systems Limited, CNT Expositions & Services LLP, Dover Corporation, D-Gen Inc., Konica Minolta, Seiko Epson, Shenzhen HOMER Textile Tech Co., Ltd, Digitex India Inc., Bordeaux Digital PrintInk, and HGS Machines.

Organised by AATCC (Association of Textile, Apparel & Materials Professionals) and SGIA (Specialty Graphics Imaging Association), the Digital Textile Printing: The Future is Now conference will take place from 6-7 December 2016 at the Sheraton Imperial Hotel, Durham, NC.

The programme will feature the industry’s most well-known and respected experts presenting topics essential for those involved in digital textiles. The two-day event will deliver unprecedented content to conference registrants, who will leave with a wealth of understanding and inspiration to take back to their respective jobs. Technology, colour management, product performance, testing, design, and more are included in the jam-packed event.

The first day includes a manufacturer’s panel, colour management for digital textiles, finishing, meeting your customer’s sustainability objectives, product testing for quality assurance, and research findings from North Carolina State University College of Textiles. The second day includes designing for digital printing of textiles, fabric factors impacting digital printing, digital print inspiration and design, web-to-print, digital manufacturing, and more.

The China Textile Machinery Association (CTMA) is a social-economic organisation constituted voluntarily by the manufacturers, enterprises and scientific research institutes in the textiles machinery and accessories industry of China. Cong Zheng, vice-secretary general director tells us about the use of hi-tech technologies in the Chinese knitting sector and its display at ITMA Barcelona to be held from June 20-26, 2019.

Q How has the ITMA ASIA exhibition evolved over the years?

A The first edition was held in 2008, and this is the sixth edition. The first edition was held in Singapore after which the show shifted to Shanghai. The earlier location was smaller; so, we moved to this location. In 2016, there were six halls, and today we have seven.

Q Tell us more about CTMA.

ACTMA has 600 members who are manufacturers of textile machinery and spare parts. We have also membership of foreign companies who have set up offices and factories in China.

Q How are exports growing in the Chinese textile machinery industry?

A Exports from the Chinese textile industry are growing. Earlier, textile machinery import figures were larger than exports, but since 2012, exports have overtaken imports. For example, in knitting, in the past, there were several European knitting machinery companies exhibiting at ITMA Asia, which has now come down. But now in China, there are more than 100 knitting machine producers. These companies are now selling hi-tech technologies in knitting.

Q Are most of these companies exporting or just serving the domestic market?

A About 15-20 per cent of the textile machineries produced in China is exported. There are some companies which export around 50 per cent of their production.

Q Is Chinese technology at par with European technology?

A Few producers are manufacturing machineries at par with European quality. The rest have a long way to go. When compared with Indian or Turkish machinery makers, the top Chinese companies supply comparable machinery.

Q How competitive is the Chinese textile machinery sector in terms of price?

A The Chinese textile industry offers textile machinery at the most competitive prices. I have visited India several times and have met companies who have expressed interest in Chinese textile machinery, because the price is very competitive. For example, a knitting machine offered by European companies is double the price supplied by Chinese companies of nearly the same technology. The European companies have been in business for several decades, but Chinese companies are trying to catch up. For instance, there are a lot of innovations happening in the Chinese nonwovens machinery sector. (RR)

"Filled with themes and variations that will help create $130 billion sales by 2021, the blue jean is an American original with a global appeal. Consumers, around the world, own an average of 5.4 pairs of blue jeans. It would therefore be natural to expect United States to own the highest per capita in blue jeans, given its seasonal temperatures and the fact that it is its birthplace. The truth however, is that denim enjoys the greatest ownership and frequency of wear in warmer and more humid climates. Cambodian consumers own an average of nine pairs of blue jeans, the highest in the survey"

Filled with themes and variations that will help create $130 billion sales by 2021, the blue jean is an American original with a global appeal. Consumers, around the world, own an average of 5.4 pairs of blue jeans. It would therefore be natural to expect United States to own the highest per capita in blue jeans, given its seasonal temperatures and the fact that it is its birthplace. The truth however, is that denim enjoys the greatest ownership and frequency of wear in warmer and more humid climates. Cambodian consumers own an average of nine pairs of blue jeans, the highest in the survey. This is followed by Mexico, with more than seven pairs per person. Germany comes in third for ownership with 6.84 pairs per person. Turkey and Thailand come in fourth and fifth, with an average of 6.10 and 5.12 pairs per person, respectively.

Frequency of wear corresponds to total number owned

The number of days per week global consumers wear their jeans is equal to 60 per cent of the total number of pairs they own, on average. Germany, for example, owns 6.84 pairs of jeans and wears them 3.24 times per week. Notable exceptions to this corollary are Great Britain and Italy. British own 4.66 pairs of jeans and wear them 3.74 days per week; Italians own 5.93 pairs and wear them 4.04 days per week.

Around 35 per cent of the total respondents cite denim as ideal for work, particularly in Mexico (48.5 per cent), Italy (45.5 per cent) and Turkey (41 per cent). For a dinner out, jeans ranked highly among respondents from Germany (52 per cent), Colombia (42.7 per cent) and Thailand (41.3 per cent).

Most Americans (87 per cent) would pay more for a pair of jeans that fit them ‘perfectly.’ While engineering a pair of jeans with a universally perfect fit may prove elusive, comfort emerged in the survey as a key denim purchase driver for 97 per cent of Americans. Since authentic denim is 100 percent or predominantly cotton, there is a comfort component built-in.

Preference for cotton fabric

Cotton is the key to the continuing popularity of the denim category. Perhaps buoyed by a general consumer trend towards authenticity, more than three-quarters of American respondents (76 per cent) cited cotton content as important to their decision to buy a particular pair of jeans. Around 84 per cent of American respondents cited stretch in their denim as a purchase driver, with 63 per cent claiming that they would pay more for a pair of jeans that were made predominantly from cotton, but with some stretch.

Almost 67 per cent of US respondents claimed the inclusion of performance features would influence their decision to buy a pair of jeans. For example, 40 per cent of US respondents said they would pay more for denim that could repel water. This has been achieved already through the STORM Denim™ technology, a textile chemical finish. Forty-eight per cent of US respondents cited moisture wicking as a desirable denim feature that they would be willing to pay more to have. Again, textile finishing chemistries such as the TransDRY™ technology offer this without compromising the authenticity of cotton denim.

Blue jeans seem as popular as ever with global consumers and, interestingly, are very popular in warmer climates such as Colombia and Mexico. While closet space allocations in Asian markets may hamper ownership totals, the enthusiasm for denim is high.

Karl-Heinz Müller, founder of the Bread & Butter trade show, has cancelled his new trade fair format, L.O.C.K, just a few days after announcing its creation. L.O.C.K, or Labels of Common Kin, was to take place at the abandoned Tempelhof Airport in Berlin during Berlin Fashion Week. The event was cancelled due to too many uncertainties in relation to the venue.

Müller, however did not rule out the possibility of holding the event later this year. The event aimed to be a platform for independent and authentic brands. Like the section of the Bread & Butter show with the same name, L.O.C.K will be dedicated to authentic, heritage brands. Its market positioning will be an offshoot of that of the 14oz multibrand store operated by Karl-Heinz Müller, featuring authentic, heritage brands like Armor-Lux, Canada Goose, Frye, Barbour, Superga, Levi's Made & Crafted, G-Star Raw Essentials and New Balance.

Vietnam's National Assembly, unanimously ratified a landmark 11-country deal that will slash tariffs across the Asia-Pacific. This ratification makes Vietnam the seventh country to have passed the Comprehensive and Progressive Agreement for Trans-Pacific Partnership (CPTPP). Vietnam has already signed around a dozen free trade pacts to scrap, or cut, taxes on several imports and exports.

The ratification will remove taxes on nearly 43 percent of Vietnam's apparel exports to Canada and 100 percent after four years. The pact, which includes specific requirements on labor rights and conditions of work, is also expected to help Vietnam advance in labor reforms.

Australia, Canada, Japan, Mexico, New Zealand and Singapore had earlier formally ratified CPTPP, which takes effect at year-end. The original 12-member deal was thrown into limbo early last year when US President Donald Trump withdrew from the agreement to prioritise protecting US jobs. Brunei, Chile, Malaysia and Peru are the four remaining members yet to ratify the pact.

Jacket Required will take place in London on January 23 and 24, 2019. This is a premium fashion trade show in the UK presenting a curated showcase of the most progressive and contemporary men’s and women’s wear collections, footwear, accessories and lifestyle product. Jacket Required strives to inspire buyers to explore the business potential of their stores and provides a platform for both established and new talent in the fashion industry.

This edition will have two new sectors: Introduces and Living. Introduces will give visitors the opportunity to discover the breakthrough talents of the new season and future contemporary classics with Jacket Required’s pick of emerging designers. Living is a curated selection of contemporary products and accessories from the most progressive and visionary interior design brands.

Introduces and Living will offer an exciting collection of breakthrough talent and a highly edited selection of lifestyle and homewear products which provide a complementary offer alongside the current progressive fashion line-up.

A new campaign Reinvention Reimagined will draw together the importance of sustainability and the responsibility of the individual to demand transparency within the supply chain while championing new trends and giving a nod to the evolution and continual reinvention of the quintessential British man and woman.

The Commerce Ministry of Bangladesh has criticised the Accord for severing business ties with 532 garment factories for their alleged poor progress in remediation. Some of these 532 factories are big and compliant, owned by the leaders of the Bangladesh Garment Manufacturers and Exporters Association (BGMEA)

The Accord on Fire and Building Safety in Bangladesh, the platform of more than 200 mostly European-based retailers formed to design a safe and healthy garment industry in the country, is due to leave Bangladesh on November 30 after five and a half years. Although the platform has been trying to extend its tenure for three more years to see through the remediation works in the factories it has inspected. But it has been met with resistance from the government and factory owners.

By then, if the 532 factories are not close to completing their remediation works they would become ineligible to supply to the Accord's over 200 signatory brands. The owners of these factories have already spent Tk 5 crore to Tk 30 crore for inspection and remediation of a factory.

The United States, in a recent filing to the WTO, stated that India has paid out far more in cotton subsidies than the World Trade Organization allowed, with payments “vastly in excess” of what it had officially declared. The filing is the latest in a series of analyses of publicly available data that Washington has submitted to the WTO, each one setting out apparent breaches of WTO rules that are hiding in plain sight. Previous submissions have targeted China and Vietnam as well as India.

According to the U.S. assessment of India’s market price support (MPS) for cotton, New Delhi was allowed to pay out up to 10 per cent of the value of production, but the actual figure had ranged from 53 percent to 81 per cent since 2010. For the 2015/16 marketing year, India had notified market price support of $18 million, which was about Rs 1.2 billion, but the United States estimated that the correct figure to be around Rs 504 billion.

In 2016/17, India had not notified any MPS, but the United States calculated the correct value to be around Rs 557 billion.