Open Lab, a pioneering initiative by HKRITA and the H&M Foundation, has won the International Collaboration Award at the 2024 International Textile Manufacturers Federation (ITMF) Awards. Launched on September 4, 2024, this is the first global recognition for Open Lab.
The ITMF award celebrates progress in international collaboration within the textile industry, aligning with the 17 Sustainable Development Goals (SDGs) of the 2030 Agenda for Sustainable Development. Open Lab’s focus on innovation and partnership exemplifies its commitment to sustainable transformation in fashion and textiles.
Teresa Yang, Chairman of HKRITA, highlighted Open Lab's role in fostering partnerships beyond the textile sector. Through collaborations, the initiative applies innovative technologies to real-world challenges. Christiane Dolva, Strategy Lead of H&M Foundation, emphasized the importance of collaboration in driving meaningful change across the global textile value chain.
Located at Hong Kong's Advanced Manufacturing Centre, Open Lab occupies 20,000 square feet and showcases over 80 sustainable projects. It features two key areas: the Pilot Plant, which includes the Green Machine 2.0 for large-scale textile recycling, and the Fashion Future Lab, focusing on early-stage solutions like “Farm-to-Garment.”
Supported by the Innovation and Technology Fund of Hong Kong and leading industry players, Open Lab is positioned to accelerate sustainable development and climate action in the fashion industry.
Leading denim manufacturer and exporter in Bangladesh, Envoy Textiles plans to establish a Waste Fabric Recycling Plant at its factory in Bhaluka, Mymensingh. Through this move, the company aims to increase its production capacity while meeting the growing demand for sustainable and eco-friendly textile production.
The total project is estimated to cost Tk 237.04 million, with 70 per cent of the funding coming from debt and 30 per cent from equity. The recycling plant is expected to be operational by the end of June next year.
The plant will process both local and in-house pre-industrial and post-consumer waste fabrics, converting them into high-quality recycled fiber. Once operational, it will reduce Envoy Textiles’ reliance on externally sourced waste cotton by producing recycled fiber in-house. This will not only boost the company’s operational profitability but also cater to growing buyer demand for environmentally responsible production practices.
The company emphasises, the project will strengthen its eco-friendly manufacturing credentials and enhance its competitiveness in the export market by reducing costs associated with external sourcing. The recycling plant is designed to process 12 tons of waste fabrics per day, with an impressive 98 per cent recovery rate, converting nearly all input material into reusable fiber.
Under favorable market conditions, the project is expected to generate around Tk 80 million in annual profits, further contributing to Envoy Textiles' bottom-line growth.
One of the largest denim manufacturers in the country, Envoy Textiles is also the first denim project in Bangladesh to utilize the rope-dye technology. The company’s commitment to sustainability is further highlighted by its recognition as the world’s first LEED-certified platinum factory, underscoring its leadership in eco-friendly textile manufacturing.
Uniqlo, a brand synonymous with quality basics and innovative fabrics, has taken the world by storm. Its journey from a small family-owned tailoring shop in Yamaguchi to a global retail giant with nearly 2,500 stores worldwide is nothing short of remarkable. Overlooking the picturesque Sumida River, Fast Retailing's headquarters in Tokyo's Ariake district stands as a testament to the company's incredible growth and its unwavering commitment to innovation.
Uniqlo was launched in 1972 when Tadashi Yanai, a 23-year-old with big dreams, took over his father's clothing chain, Ogori Shoji. Yanai had a vision to transform the business from selling men's suits to offering casual everyday wear. In 1984, he opened a new store in Hiroshima, named Unique Clothing Warehouse, which he later shortened to Uniqlo. "When I try something new, I know that I'm going to fail. I do not plan for success from the very first step. So I don't take these failures too seriously, I just take on the challenge," says Tadashi Yanai
The early years were not without their challenges. Uniqlo's first foray into the international market in 2001 with a store in London was a failure. The company had to close most of its stores in London by 2004 and faced similar challenges in Shanghai. These early failures underscored the importance of differentiation and understanding local market needs.
The second wave of store openings in Europe, with flagship stores launching in London and Paris in 2007, marked a crucial turning point. Uniqlo adopted a ‘Global is local, local is global’ approach, tailoring its products and strategies to resonate with local consumers while maintaining a global brand identity.
Region |
Number of Uniqlo stores |
Japan |
808 |
Greater China |
942 |
Southeast Asia and Oceania |
478 |
South Asia |
13 |
North America |
61 |
Europe |
193 |
As of May 2024, Uniqlo boasts of a vast global network of 2,495 stores, with more stores outside Japan than within. For example, Uniqlo's success in China is a testament to its 'Global is local, local is global' approach. The brand has adapted its product offerings to suit Chinese consumers' preferences, offering larger sizes and styles that resonate with local tastes. Uniqlo has also leveraged e-commerce platforms like Tmall to reach a wider audience in China.
Similarly, Uniqlo entered India in 2019 and has been steadily expanding its presence. The brand currently operates 13 stores in India and has plans for further expansion. Uniqlo's focus on functional and high-quality products at affordable prices has resonated well with Indian consumers. As Yanai says, "We aim to become the number one apparel brand in India." Uniqlo India's financial performance too has been impressive, with a 31 per cent rise in turnover in FY24. The company reported operating revenue of Rs 814.85 crore and a net profit of Rs 85.31 crore in FY24.
Magic mantra: Customer-centric approach and innovation Uniqlo's customer-centric approach is at the heart of its success. The company places great emphasis on gathering and analyzing customer feedback to improve its products and innovate. Also, Uniqlo's success lies its LifeWear philosophy - creating high-quality, functional, and affordable clothing for everyone. This commitment to quality and customer satisfaction permeates every aspect of the business, from product development to supply chain management.
Uniqlo's collaboration with Toray Industries, a leading material manufacturer, has led to the development of innovative fabrics like Heattech, AIRism, and Ultra-Light Down. These technologies have revolutionized the way people dress, offering comfort and functionality in everyday clothing.
As Uniqlo celebrates its 40th anniversary, Yanai has outlined his vision for the future: "The Fourth Frontier: Challenge, Take Action, Achieve." This vision encompasses Uniqlo's commitment to tackling future challenges, embracing technological advancements, and evolving to meet the changing needs of consumers. Yanai has set ambitious targets for the company, aiming to achieve group revenue of ¥5 trillion within a few years and then doubling that to ¥10 trillion. India is expected to play a key role in achieving these goals. “We may or may not be successful in impressing customers always. But the mindset should always be to impress customers,” Yanai emphasizes.
As Uniqlo embarks on its next chapter, its focus on sustainability, technology, and customer satisfaction is poised to propel the brand to even greater heights in the years to come.
A landmark trade agreement between the European Union (EU) and Pacific states is poised to significantly alter the dynamics of the textile and apparel industry in both regions. The interim Economic Partnership Agreement (IEPA), which includes Fiji, Papua New Guinea, Samoa, and the Solomon Islands, sets the stage for increased trade flows and deeper economic integration.
The IEPA focuses on establishing a free trade area, with a particular emphasis on sustainable development and supporting the integration of Pacific States into the global economy.
Tariff elimination: The EU grants 100 per cent duty-free and quota-free access to all imports from Pacific EPA countries, ensuring permanent and unrestricted access for all products. Pacific EPA countries are progressively phasing out duties on EU imports, with flexibility based on their development levels and sensitive sectors. Safeguard measures, such as import quotas or temporary reintroduction of duties, can be implemented under specific circumstances to protect domestic industries from import surges.
Rules of origin: The IEPA includes rules of origin to ensure that only products originating from the participating countries benefit from the preferential tariff treatment.
Trade facilitation: The agreement aims to simplify customs procedures and reduce trade barriers, facilitating smoother trade flows.
Sustainable development: The IEPA includes provisions on labor rights, environmental protection, and good governance, promoting sustainable trade practices.
The IEPA is expected to significantly boost the textile and apparel industry in both the EU and the Pacific States.
Primarily, it will give a boost to exports from Pacific States to the EU. The removal of tariffs and quotas will make textile and apparel products from the Pacific States more competitive in the EU market. This is likely to lead to a substantial increase in exports, creating new jobs and boosting economic growth in the region. The agreement is also likely to boost exports of high-quality, niche products from the Pacific, such as traditional handicrafts and sustainable textiles.
Table: Textile & Apparel Exports from Pacific to EU
Year |
Exports from Pacific to EU (in million $) |
% Change |
2022 (Pre-IEPA) |
50 |
- |
2023 (Post-IEPA) |
65 |
+30% |
2024 (Projected) |
80 |
+23% |
It will also result in improved access to raw materials. Pacific States' textile manufacturers will benefit from duty-free access to raw materials and intermediate goods from the EU, reducing production costs and enhancing competitiveness. The IEPA's favorable trade environment is expected to attract more investment in the textile and apparel sector in the Pacific States, further stimulating growth and development.
Table: Textile & Apparel Exports from EU to Pacific
Year |
Textile & Apparel Exports from EU to Pacific (in million $) |
% Change |
2022 (Pre-IEPA) |
200 |
- |
2023 (Post-IEPA) |
220 |
+10% |
2024 (Projected) |
250 |
+13.6% |
Overall the IEPA is expected to significantly boost trade in textiles and apparel between the EU and Pacific states. The agreement will likely lead to structural changes in the textile and apparel industries in both regions, with a focus on higher-value-added products and sustainable production methods. The IEPA has the potential to contribute to sustainable development in the Pacific, creating jobs and boosting economic growth.
The Karl Mayer Group is gearing up for ITMA ASIA + CITME 2024, set to take place from October 14 to 18 at the Shanghai National Exhibition and Convention Center. As the textile industry faces rapid change and global disruptions, Karl Mayer is stepping forward with cutting-edge technologies under the theme "Master the Change." The event will focus on solutions tailored to the growing demands of sustainability, profitability, and efficiency in the Chinese and international textile sectors.
China’s textile industry has remained resilient amid global uncertainties, maintaining growth through exports. However, rising costs, labor shortages, and sustainability concerns are significant hurdles. Karl Mayer's innovations aim to help manufacturers adapt to market dynamics and capitalize on new growth opportunities. Their focus will include mechanical engineering, digitalization, and customer-centric solutions to address these pressing challenges.
Karl Mayer will highlight solutions for the warp knitting sector, including the HKS 2-S with gauge E 44, designed for producing lightweight, dense fabrics ideal for outdoor fashion and sun protection clothing. These textiles offer excellent UVA protection and breathability, making them perfect for sun protection garments.
Additionally, the display will feature warp-knitted alternatives to cotton, ideal for sportswear, including yoga apparel. These fabrics provide the look and feel of cotton but are more sustainable and productive due to Karl Mayer’s advanced technology. The warp-knitted E-40 fabric for use in thick down jackets will also be a highlight, offering comfort and sustainability in cold-weather clothing. Karl Mayer's exhibit will also showcase breathable and stylish warp knits for shoes, produced by the HKS 3-M ON Plus and double raschel machines. These warp knits are gaining popularity as mono-material solutions for upholstery in cars and mattresses. The innovative materials offer flexibility, breathability, and sustainable production processes, expanding their use in both fashion and technical textiles.
At the forefront of Karl Mayer's ITMA ASIA display will be their latest digital solutions aimed at streamlining textile production. Their myKM.ON customer portal will provide visitors access to Karl Mayer’s digital ecosystem, including the new Energy Efficiency Solution (EES), which focuses on reducing energy consumption for warp knitting companies. These digital tools are designed to improve sustainability while driving down operational costs.
The Digital Production Management (DPM) system and Quality Monitoring System (QMS) for warp knitting will also be introduced. These systems use real-time monitoring and AI to optimize production processes and improve quality control. Stoll PPS, powered by KM.ON, will enhance flat knitting efficiency, reducing production times and improving delivery reliability.
STOLL, Karl Mayer’s flat knitting division, will be showcasing the CMS 703 ki knit and wear, combining flexibility, efficiency, and a competitive price point. With its 72-inch working width, the machine is designed for producing finished garments and full-fashion products in a wide size range, catering to the growing demand in Asia.
Other flat knitting highlights include the CMS 503 ki L, offering pattern variety across larger sizes, and the ADF 530-32 ki FLEX, which can produce a diverse range of items from sweaters to upholstery fabrics, thanks to its innovative comb gap control.
Karl Mayer will also unveil a new generation of direct warpers designed to improve efficiency in warp preparation. These machines offer superior performance, producing high-quality beams for weaving with greater energy efficiency and operational reliability. The new Cascade system reduces steam consumption during the sizing process, significantly cutting environmental impact.
For predictive maintenance, the Smart Size Box technology monitors wear components, while the combined Care X-Tend and Connectivity Package ensures high machine availability.
Karl Mayer will also host an in-house show at their China subsidiary in Changzhou, starting a day before the exhibition. The event will feature demonstrations of their latest machines, including new models in the double raschel sector. Additionally, the unveiling of their new showroom in China will present solutions from all their technology areas.
Karl Mayer's Technical Textiles division will spotlight its multiaxial warp knitting machines, capable of producing non-crimp fabrics for composites in lightweight construction. These fabrics, made from glass and carbon fibers, offer exciting opportunities for conventional textile manufacturers looking to expand into technical textiles.
At the in-house show, visitors can see Karl Mayer’s new weft insertion machines, which will be particularly valuable in the construction industry for producing lightweight glass fabrics used in plaster grids and crack tape.
Karl Mayer's participation at ITMA ASIA + CITME 2024 will provide the textile industry with innovative solutions to navigate market volatility, embrace sustainability, and enhance production efficiency.
As announced by Manjunath Bhandary, Member of the Legislative Council, the Karnataka state cabinet has approved the long-anticipated plan to develop an Rs 27-crore textile park in Karkala, Udipi district.
To be developed under a public-private partnership (PPP) model, this textile park is expected to become a hub of economic activity in the region. The project is poised to create a significant number of employment opportunities, benefiting the local community and promoting industrial growth in the district.
The project was initially announced by BS Yediyurappa, Former Chief Minister, Karnatakain the state budget plan of 2020-21. Despite the early momentum, the project faced delays and challenges in securing the necessary approvals and funding. However, renewed efforts were made by V Sunil Kumar, former Energy and Kannada Culture Minister, as he laid the foundation stone for the park in March 2023.
Once completed, the textile park is expected to house several units dedicated to textile manufacturing and processing, offering facilities for spinning, weaving, and garment production. It is set to attract both local and national investors, fostering innovation and sustainable practices in the textile industry.
Strategically located in the Udupi district, a place known for its skilled labor force and proximity to key transportation routes, the Karkala textile park will prove as an ideal location for industrial development in the state. It will not only enable smoother logistics in the state but also ensure efficient distribution of textile products both within India and for export markets.
In the ever-evolving landscape of fashion, price transcends its basic function of monetary exchange. It acts as a powerful tool, silently communicating a brand's positioning, quality perception, and target audience.
Price is a cornerstone of brand positioning. The price tag on a garment speaks volumes before a customer even tries it on. A study by Journal of Business Research found consumers often use price as a heuristic (mental shortcut) to evaluate product quality. No wonder, luxury brands, such as Chanel and Gucci, employ exorbitant price points to cultivate an aura of exclusivity and opulence. Their pricing strategy reinforces their status as coveted symbols of wealth and taste. “We price our products to reflect the quality of materials, the intricate handwork, and the heritage of the brand,” says a spokesperson for Valentino At the other end of the spectrum, value brands like H&M and Zara focus on affordable fashion, targeting a broader consumer base seeking stylish yet budget-friendly options.
Premium brands, like Michael Kors and Ralph Lauren, occupy the middle ground. They balance quality, design, and price to appeal to a discerning clientele. Their pricing strategy often involves offering slightly elevated prices to justify the perceived higher value proposition.
Historically, fashion and apparel prices have maintained certain parity with other lifestyle products. As consumer incomes rose, so did spending across various categories. However, recent trends suggest a shift in this dynamic. The rise of fast fashion has compressed price points in apparel, while other sectors like electronics and luxury goods continue to witness upward price trajectories.
This disparity has implications for consumer behavior. As fashion becomes more accessible, consumers may be willing to spend more on other lifestyle products, such as premium electronics or experiences. This shift in spending priorities challenges fashion brands to innovate and offer unique value propositions to retain market share.
Luxury brands maintain high prices with limited production runs and an emphasis on premium materials and craftsmanship. “It’s not just about the product; it’s about the experience,” says Milton Pedraza, CEO of The NPD Group, a market research firm in a Forbe interview. Think limited-edition bags or hand-stitched blazers – these items come with a hefty price tag that reflects their exclusivity and perceived higher value.
Positioned between luxury and value, premium brands offer a balance of quality and price. “We use high-quality materials and construction techniques, but we don't have the same overhead costs as luxury brands,” explains Sarah Brook, Founder of a premium clothing line. This allows them to offer well-made pieces at a more accessible price point.
The value segment focuses on affordability and trend-driven designs. Fast-fashion brands prioritize low production costs and high volume to keep prices low. “Our target customer is looking for the latest trends at a price they can afford,” says a spokesperson for Forever 21. While this keeps clothing accessible, it often raises concerns about quality and sustainability.
The pricing strategy for fashion doesn't always mirror other lifestyle products. For instance, a high-end smartphone might cost more than a designer dress, reflecting the technological advancements within the phone. Similarly, a luxury car might justify its price due to the complex engineering involved. Fashion, however, often incorporates a significant "brand premium" into the price tag, which isn't necessarily tied to the cost of materials or production.
The COVID-19 pandemic was a seismic event that disrupted the fashion industry in unprecedented ways. Supply chain disruptions, economic uncertainty, and changing consumer behavior forced brands to re-evaluate their pricing strategies. Initially, many brands resorted to discounting to clear excess inventory and stimulate demand. However, as the global economy began to recover, there was a gradual shift towards price increases to offset rising production costs and inflationary pressures. Interestingly, the pandemic accelerated the growth of direct-to-consumer (DTC) models, allowing brands to have greater control over pricing. By eliminating intermediaries, DTC brands could offer products at competitive prices while maintaining profit margins.
Consumer behavior towards price is complex and multifaceted. While some consumers are driven by price, others prioritize quality, brand reputation, and emotional connections. The rise of value-conscious consumers has led to increased price sensitivity, especially in economically challenging times. However, the willingness to pay a premium for unique or exclusive products remains strong. Luxury brands continue to thrive by catering to this segment of the market. Moreover, consumer behavior varies across different demographics. Younger consumers, for instance, are often more price-sensitive and open to exploring affordable fashion brands. In contrast, older consumers may be willing to pay a premium for comfort, quality, and established brands.
Pricing strategies vary significantly across different regions. Western markets, particularly the US and Europe, have historically been characterized by higher price points for fashion and apparel. This reflects factors such as higher labor costs, stronger currencies, and a more affluent consumer base. In contrast, Eastern markets, such as China and India, offer opportunities for lower production costs and a growing middle class. This has led to the emergence of strong domestic fashion brands that can compete on price while delivering quality products. However, the lines between these regions are blurring. Globalization and increased consumer access to international brands are driving price convergence. Additionally, the rise of e-commerce has made it easier for consumers to compare prices across different markets, putting pressure on brands to align their pricing strategies.
As the fashion industry transforms, driven by technological advancements, changing consumer preferences, and sustainability concerns, these factors will shape the future of pricing trends. Data analytics will also play a crucial role in optimizing pricing strategies. By analyzing consumer behavior, market trends, and competitor pricing, brands can make data-driven decisions to maximize revenue and profitability.
Personalization will become increasingly important. As consumers demand tailored experiences, brands will need to offer customized pricing options based on individual preferences and purchase history. Sustainability is another key trend. Consumers are becoming more conscious of the environmental impact of fashion, and they are willing to pay a premium for sustainable products. This presents an opportunity for brands to differentiate themselves through eco-friendly offerings and premium pricing.
Price therefore is a multifaceted tool that can make or break a fashion brand. By understanding the nuances of consumer behavior, market dynamics, and competitive landscape, brands can develop effective pricing strategies to achieve their business objectives. As the fashion industry continues to evolve, the ability to adapt to changing trends and leverage data will be essential for success.
The 14th annual Redress Design Awards, held during the Centrestage Hong Kong trade show, showcased the innovative work of emerging fashion designers committed to sustainable practices. Despite the postponement due to Typhoon Yagi, the event drew a significant crowd eager to witness the finalists' collections.
Hong Kong designer Tiger Chung emerged as the winner of the First Prize and the Hong Kong Best award. Her collection, "The Wanderer," inspired by the lifestyle of "street wanderers," addressed social disparities and utilized upcycled materials from discarded items. Chung's dedication to circular design impressed the judges and earned her a development fund and the opportunity to work on a sustainable design project with Tommy Hilfiger.
Tian Ruyin from Shanghai received the Runner-Up Award for her collection "Strip Strap Stripe," inspired by her grandmother's Alzheimer's disease. Her designs, made from organic cotton and recycled fibres, reflected a marine aesthetic and explored the concept of memory through cuts and folds.
Silvia Acien Parrilla, a UK-based designer, won the People's Choice Award for her collection "Regenerative Folklore," which incorporated organic fibres and traditional Spanish materials. Parrilla's designs celebrated her cultural heritage and promoted sustainable practices through the use of plant-based dyes.
The judges faced a difficult task in selecting the winners, as the finalists demonstrated exceptional talent and creativity. Jessia Wei, senior director of sustainability for Tommy Hilfiger Asia Pacific, emphasized the importance of designers who challenge the status quo and inspire others through their work. She praised the winner's ability to tell a compelling story through their designs.
Redress, a non-profit organization, has been at the forefront of the sustainable fashion movement for 14 years. Founder Christina Dean highlighted the challenges and opportunities presented by the evolving landscape of sustainability. She aptly quoted, “Waste is a resource, waste is not waste unless wasted.” She emphasized Redress's commitment to educating and inspiring designers and consumers to adopt circular practices.
Redress provides valuable support to its alumni through collaborative projects and community involvement. Dean emphasized the need for the fashion industry to offer more support to emerging designers, particularly in terms of business development.
As the sustainable fashion industry continues to grow, Redress remains dedicated to its mission of promoting circular design and supporting emerging designers. By fostering innovation and education, Redress is playing a vital role in shaping a more sustainable future for the fashion industry.
London-based designer Robert Wun made a triumphant return to his hometown, Hong Kong, this week. The city was abuzz with anticipation as Wun brought his signature theatricality to the runway for the first time. The Hong Kong Palace Museum, a prestigious venue, hosted his show, a testament to his rising star status.
The collection, titled "Home," was a personal journey, reflecting Wun's childhood memories and the influence of his Hong Kong upbringing on his designs. Organized by the Hong Kong Trade Development Council (HKTDC) and sponsored by the Cultural and Creative Industries Development Agency (CCIDA), the show was part of Centrestage Elites, a platform for emerging Hong Kong designers.
Wun's participation in Centrestage marked the 10th anniversary of his brand. His presence highlighted the growing prominence of Hong Kong designers on the global stage. Wun expressed gratitude for the support from the government and HKTDC, which has been instrumental in fostering a thriving creative industry in the city.
While acknowledging the increasing competition in the Hong Kong market, Wun remains optimistic about the opportunities it presents. His own journey, from moving to London to pursue his fashion career to becoming a renowned couture designer, is a testament to the challenges and rewards of the industry.
Wun's transition from ready-to-wear to couture was a significant milestone. He credits Chanel CEO Bruno Pavlovsky for mentoring him and guiding him towards this path. The move was both strategic and personal, as Wun saw couture as a way to tell more compelling stories and differentiate himself in the saturated ready-to-wear market.
Wun's vision of couture extends beyond the traditional definition of high-end custom-made garments. He believes that emerging designers are redefining couture by incorporating new technologies and focusing on storytelling. While embracing innovation, Wun emphasizes the importance of preserving traditional craftsmanship and balancing techniques.
Wun acknowledges the challenges faced by young designers today, including the saturation of the market, the changing dynamics of the industry, and the increasing reliance on social media. However, he also sees the opportunities that social media and technology can provide, such as reaching a wider audience and experimenting with new creative approaches.
Ultimately, Wun's message to aspiring designers is clear: success requires hard work, perseverance, and a passion for the craft. His own journey serves as an inspiration, demonstrating the power of creativity, determination, and a willingness to embrace both challenges and opportunities.
Reliance has partnered with Israeli apparel firm Delta Galil to form a 50:50 joint venture aimed at designing, manufacturing, and selling lingerie products in India. This move puts Reliance in direct competition with Page Industries, the leader in the Indian innerwear market with brands like Jockey and Speedo.
Delta Galil, a global licensee for brands like Calvin Klein, Tommy Hilfiger, and Columbia, has also partnered with Adidas and Polo Ralph Lauren. Through this joint venture, Reliance will manufacture lingerie for its own brands and introduce Delta Galil’s portfolio, including 7 For All Mankind and Necessities, to the Indian market.
Reliance has been expanding its presence in the lingerie segment, acquiring brands like Clovia, Zivame, and Amante, which collectively achieved sales of over Rs2,000 crore in FY24.
India's innerwear market, worth Rs61,091 crore in 2023, is expected to grow to Rs75,466 crore by 2025, with women’s innerwear leading the sector at 60 per cent of the total market. Reliance is well-positioned with its range of mass and premium brands, including Clovia, Zivame, and international labels Marks & Spencer and Hunkemoller.
Zara, the flagship brand of Spanish fashion giant Inditex, is making significant strides in sustainability and innovation, aiming to lessen... Read more
The US textile and apparel industry is undergoing a significant shift in its sourcing strategies, with imports from traditional Asian... Read more
The second edition of the Brands of India apparel trade show, organized by The Clothing Manufacturers Association of India (CMAI),... Read more
While China's economic growth slows, international fashion brands are setting their sights on new Asian markets. India and Japan, with... Read more
The global polyester market is showing signs of strain as exports demand softens. This trend is evident in recent data... Read more
A quiet crisis is brewing behind the gleaming facades of luxury fashion houses. While shoppers clamor for the latest It-bag... Read more
The global fashion industry is bracing for a turbulent 2025, as a cyclical slowdown, rising prices, and shifting consumer preferences... Read more
Economic challenges shape 2025 fashion landscape The global fashion industry enters 2025 facing significant challenges amid economic uncertainty, shifting consumer behaviors,... Read more
Move over athleisure, jeans are back! After a period of sales slump and stiff competition from comfort-focused clothing like athileisure,... Read more
A high-powered roadshow held in Mumbai on November 8, 2024, has ignited excitement for Bharat Tex 2025, India's premier textile... Read more